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Excerpt - Day One
Take Me If You Can by Karen Kendall - Order from ReaderToReader.comTake Me If You Can by Karen Kendall - Order from ReaderToReader.com
"Sexy, witty, fast-paced—and full of delicious plot twists. Flat-out fabulous!." USA Today Bestselling Author Cherry Adair

MIAMI, late August

Chapter One

Some people steal for thrills. Others steal for simple profit or for dark, psychological reasons. Art recovery agent Avy Hunt stole for justice—or so she liked to tell herself. The truth was a little more complicated.

Avy certainly wasn't a femme Robin Hood, since she worked on commission and eschewed green tights for the sheerest of thigh highs. She preferred a 9 mm Sig Sauer P230 to a cross-bow and usually avoided bands of merry men, since they tended not to keep their hands to themselves.

Only in the name of a job would she deliberately go home tonight (from the raucous Clevelander Hotel on South Beach) with this particular merry man. Dave Pomeroy, with his greasy, lurid grin and his I'm-a-multi-millionaire strut, gave her the creeps.

But here she sat in his giant black Hummer, dressed like the Cheap Trick he'd cranked up on the CD player.

South Beach on a late August Saturday night was a fast, undulating samba in a salt-tinged sauna. Spot-lit against a moody night sky, royal palms waved in the humid breeze like passing acquaintances who wouldn't remember your name. Sand and ocean stretched to the right beyond the palms, and art deco hotels rose along the left, past Dave's shoulder on the driver's side of the vehicle.

Collectively, the facades of the lighted, pastel buildings looked like a Hollywood backdrop for some steamy soap opera. People were out on the town, dressed up or dressed down, indulging in dinners, drinks, dancing, deals and drugs. Laughter mingled with shouted insults and the bass of crawling car engines, their stereos playing everything from rap to rock to Brazilian dance music.

It was a short drive to Star Island, where Dave's status symbol of a house stood. They were waved through at the guarded gate to the causeway, and the repulsive Dave decided to caress her knee as they traversed the water.

Avy forced herself to sit still until his fingers crept higher, at which point she dredged up a vacuous giggle and caught his ham-like hand in her own.

They turned into a long drive, where a pair of ornate wrought-iron gates opened as if by magic. The house that stretched before them looked more like a government building than a home. The architecture, with its harsh angles and sterile feel, was a bad rip-off of Le Corbusier.

Inside it was a mirrored white palace with all the warmth of a hospital. Their footsteps echoed like gunshots on the ceramic tile.

Pomeroy had very Vegas taste. He'd decorated in Early Eighties Nightclub, except for the occasional big game trophy like the twelve-foot alligator in the corner of his living room. That added a cozy touch.

Avy let out an appropriate squeak of excitement, though, and Dave puffed up with pride. "You live here all by yourself?" she asked.

"Well, I have staff, honey, but they have the night off. Hey, you need to take a whiz? The john's right there. I'll make us some drinks."

As she stood in his bleak silver powder room, Avy's heart hurled against her rib cage and her stomach slid around like a big glob of mercury. Not fear, she told herself. Adrenalin. Nerves on edge before the job. Normal.

She took a disgusted look into the mirror at her temporary persona, vaguely surprised that she could even see out from under her tarantula-like false eyelashes.

A tight, shiny, black spandex micro mini-skirt rode her hips. A red push-up bra promoted her assets like a media blitz; the matching thong peeked out above the skirt like a paid endorsement. She'd done unspeakable things to her hair and applied her makeup with a trowel.

Bile rose in her throat--she looked a little too much like the type of woman her father occasionally took to a seedy motel.

She fingered the deluxe Swiss army knife that rested next to her lipstick in a satin cosmetics pouch. Normally she wore the Victorinox on a cord around her neck. Her dad had given the knife to her--his little tomboy--on her twelfth birthday, and in the seventeen years since, she'd worn off the brand name with use.

She'd cut her Barbie's hair into a punk style with it; She'd carved her initials into trees and benches; as she'd grown up she'd employed the knife on more than one occasion to open everything from beer bottles to car and apartment doors. And that was all before she'd really learned how to use it.

Though she felt more like opening the knife than the lipstick, the red schmear was, for now, the better weapon. So she used it without compunction, then blotted her lips on a tissue.

This guy Pomeroy didn't scare her. And besides, her trainee Gwen was right outside with her surveillance equipment. If Avy got into serious trouble, Gwen would have her back.

At least she hoped so . . .
". . . an enticing tale with an intriguing storyline, fabulous characters and enough witty banter to keep readers smiling from beginning to end. Well-paced with an edge of danger . . . "
Reader To Reader
Stay tuned tomorrow for . . . Excerpt - Day Two
Bio
Karen Kendall Photo
Karen Kendall
After writing over fifteen romantic comedies and novellas, Karen Kendall is making a change . . . a genre change.

Take Me If You Can kicks off her first romantic adventure/suspense series about an agency that recovers stolen art.

Karen has always loved the stories that great art has to tell, ever since she made the impractical decision to study art in college. Before she started writing, she helped with kids' education programs in museums and worked for a successful art gallery.

In her new series, starting with Take Me If You Can she introduces readers to Avy Hunt and art crime, a dark, dangerous game where every move could cost a recovery agent's life.

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